翻訳と辞書
Words near each other
・ World of Stardom Championship
・ World of Stone
・ World of Stone (EP)
・ World of Stupid
・ World of Subways
・ World of Tanks
・ World of Tennis
・ World of The League of Extraordinary Gentlemen
・ World of the Living Dead
・ World of the Lupi
・ World of the Unexplained museum
・ World of Thought
・ World of Tiers
・ World of Today
・ World of Tomorrow
World of Tomorrow (film)
・ World of Trombones
・ World of Trouble
・ World of Turkmenbashi Tales
・ World of Twist
・ World of Warcraft
・ World of Warcraft (comics)
・ World of Warcraft Trading Card Game
・ World of Warplanes
・ World of Warships
・ World of Watches
・ World of Wearable Art
・ World of Whitetail
・ World of wonder
・ World of Wonder (anthology)


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

World of Tomorrow (film) : ウィキペディア英語版
World of Tomorrow (film)

''World of Tomorrow'' is an animated short film by American filmmaker Don Hertzfeldt. Illustrator Julia Pott performs the voice of the short's lead character, opposite Hertzfeldt's then-four-year-old niece, who was recorded while drawing and playing. Her spontaneous, natural vocal reactions and questions were then edited into the story to create her character.
''World of Tomorrow'' premiered at the Sundance Film Festival and won the Grand Jury Prize, his second.
Critics were overwhelmingly positive in their reviews, describing the science fiction film as "one of the most satisfying shorts since Chris Marker's landmark 1962 ''La Jetee'' and almost certain to be the highlight of this year's Sundance, full stop," "dazzling, enthralling" and "astonishing."
The film next won Best Animated Short at the SXSW Film Festival. Indiewire called the short film "one of the best films of 2015," and The Dissolve named it "one of the finest achievements in sci-fi in recent memory." The A.V. Club described the film as "visionary" and "possibly the best film of 2015."
''World of Tomorrow'' was released on-demand on Vimeo in March 2015, simultaneously with its continuing theatrical run in film festivals.
==Plot==

A communication unit in a white room begins to ring, and a little girl (voiced by Winona Mae) runs toward the machine where she excitedly presses a random series of buttons on the console until a live video transmission appears on the screen.
The person in the transmission is a woman (voiced by Julia Pott) and addresses the young girl as Emily. Speaking in a robotic monotone throughout their entire conversation, the woman introduces herself as an adult third-generation clone of Emily contacting her from 227 years into the distant future. The clone Emily then explains to the original Emily regarding the complex cloning process that humans have devised in an attempt to achieve immortality, as well as describing other crude forms of life extension that less affluent members of humanity can afford in lieu of the more expensive generational cloning method. The clone Emily goes on to explain how she was able to contact the original Emily through an experimental and dangerous form of time travel. The clone adds that physical attempts on using this form of time travel can be very deadly to the traveler unless the logistics are precisely calculated. The clone Emily proceeds to transport the original Emily into the clone's present time in the future via time travel.
The original Emily disappears from the white room and safely reappears inside an interactive space that the clone Emily describes as "the Outernet"—a neural network that is a technologically advanced version of the Internet. At this point, the clone Emily begins to address her original as Emily Prime. Emily Clone and Emily Prime briefly engage in drawing simple figures in the air, before Emily Clone invites Emily Prime to view a selection of her memories.
The first memory is one from Emily Clone's childhood and involves a controversial exhibit in a museum where a male clone without a brain was kept in a transparent stasis tube. When Emily Prime asks for the name of the male clone, Emily Clone responds that the clone was nicknamed David by the museum visitors. Emily Clone recalls her frequent visits to David over the years and expresses her sadness when he finally died at the age of 72.
The second memory that Emily Clone shows to her original is of her first job supervising solar-powered and sentient worker robots on the surface of the Earth's moon. Emily Clone reveals that she programmed the robots to cultivate a fear of death and darkness. As a result, the robots are compelled to be in constant motion, always walking where the light of the sun hits the lunar surface and avoiding the dark side of the moon. It was also on the moon where Emily Clone reveals that she fell in love with a large rock, though she admits that the romance was complicated because she did not yet realize her mental and emotional shortcomings at the time. Due to a recession in the lunar economy, Emily Clone was sent home after six lunar cycles and was separated with her rock. She adds that the robots she programmed were abandoned on the moon as they were considered too expensive to remove. Emily Clone also notes that the robots are in still perpetual motion due to their programming, as well as sending regular transmissions of depressed poems back on Earth.
The third memory shows Emily Clone's succeeding job as a supervisor for construction robots stationed on a deep space outpost. Emily Clone admits to having fallen in love with a fuel pump in her new job location, and adds that it was more gratifying than her previous romance with the lunar rock. In the same memory, the clone shows Emily Prime a nest of abandoned alien eggs that are purple and conical in appearance. Driven by curiosity, Emily Prime opens one of the eggs to reveal a black shapeshifting creature that speaks gibberish. Emily Clone discloses that she named the alien lifeform as Simon. Emily Clone and Simon gradually fell in love over the course of seven years, and often went on balloon flights over Mars for vacations. But as Emily Clone narrates, she missed Earth and longed for something deeper and substantial with her life. Following her instincts, Emily Clone made a conscious decision to be reassigned back on Earth in order to interact more with humans, and notes that going back home resulted in the best years of her life but has also left Simon inconsolable, as she had left him behind.
As a prelude to showing Emily Prime the fourth memory, Emily Clone explains how memories are harvested from deceased humans and what they look like upon extraction. Emily Clone then shows to her original that upon her return to Earth, she opened an art gallery that displayed anonymous memories. It was in her art gallery that Emily Clone met her husband: a descendant clone of David, the male clone who was displayed in a museum when she was a child. But as Emily Clone notes, her husband showed many signs of deterioration due to being a clone stemming from a much older generation. Despite this, Emily Clone says that she loved him "as though we were originals". Their marriage was brief, as Emily Clone states that her husband died suddenly; thus, ending the David clone lineage. Emily Clone proceeded to harvest her deceased husband's memories, and shows one of her favorites to Emily Prime: a view of David descending a staircase while he observes a large plant's leaves fluttering in the wind as if in applause.
At this point, Emily Clone stops and reflects on her melancholia upon reliving the memories with her clone spouse, concluding that she "no longer falls in love with rocks".
The last memory that Emily Clone shows to her original is more recent, as the clone reveals that in sixty days, Earth will be destroyed by an incoming meteor. Emily Clone explains that due to the hysteria surrounding the impending apocalypse, humans have resorted to leaving the planet through different and extreme means. Wealthy individuals have uploaded their digital consciousnesses in special cubes and launched them safely into deep space. The lower classes have opted to use a discounted form of the dangerous time travel method that Emily Clone has described earlier. But because of the unpredictable and unstable nature of physical time travel, millions of humans have transported themselves in the fringes of the Earth's atmosphere—dying instantly while hovering in orbit and creating the effect of "shooting stars" when the corpses crash back down to earth during nighttime while they burn through the atmosphere. Despite the horrible fate of humanity at this time, Emily Prime reacts with joy upon the sight of the burning corpses streaking through the night sky and becomes inattentive by counting the "shooting stars" while her clone rattles on about the bleak fate of the human race.
Emily Clone returns them both to the Outernet, and she reveals the true reason on why she contacted Emily Prime in the first place: to retrieve an important memory from her original source before she is to die. Using a handheld extractor, the clone aims the device at Emily Prime and the young girl reveals that the memory the clone had forgotten and wanted to remember was of the original Emily and her mother walking together. With the memory successfully retrieved, Emily Clone graciously thanks her original and adds that the specific memory will comfort her in the days leading to the destruction of Earth.
Before they part ways, Emily Clone dispenses some final words of wisdom to Emily Prime as the Outernet slowly begins to disintegrate around them:
Do not lose time on daily trivialities. Do not dwell on petty detail. For all of these things melt away and drift apart within the obscure traffic of time. Live well and live broadly. You are alive and living now. Now is the envy of all of the dead.

Emily Clone states that she is honored to have met Emily Prime and that she will not contact her again. The clone informs her original that she will transport her back to her timeline. After saying goodbye, Emily Prime is accidentally transported by her clone into the distant past where she seen standing in a grassy field and surrounding by falling snow. The music gradually swells to a dramatic crescendo and it appears that Emily Prime is left to perish in the desolate landscape, but she is seen transported back into her present timeline; back into the white room containing the communication unit where she answered Emily Clone's call. Emily Prime surveys the familiar space with a smile and notes in a singsong voice on "what a happy day it is" before she joyfully scampers out of the room.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「World of Tomorrow (film)」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.